I saw some film that in imperial China, Chinese who doesn't know read and write often push his/her finger in ink then apply it in the document instead of signing.

Is that true in history? Because I see no reason to do so, as ancient Chinese did not have tech to recognize finger print or discriminate between fingers

  • 3
    This question seems trivially answerable via wikipedia: en.wikipedia.org/wiki/Fingerprint#History Jan 6 '15 at 10:28
  • Is any part of your query not resolved by my answer?
    – Semaphore
    Sep 27 '15 at 20:20
  • @Semaphore, your answer is more about hand prints, while my question is more about finger print, and IMO these two are different. Hand print can be measured by length, while finger print must be measured by the pattern of the print. The latter might be much harder without tools, e.g optics. Mar 18 '16 at 18:28
  • @user2174870 You asked if its true that they used finger prints. The point of my answer was that they actually used hand prints, not strictly finger prints.
    – Semaphore
    Mar 19 '16 at 11:32

Yes, sort of. Illiterate people could "sign" using hand prints, which is a reasonably reliable biometric (totally anecdotal, but my university's experience was <10% false identification) that's a bit easier to authenticate by the naked eye. Prints of the finger (more than just the tip) could also be authenticated based on feature such as lengths between joints.

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(Marriage contract from the early Republican Period.)

The name these movies usually give for this practice, huāyā (花押/畫押), is a much broader subject. That tradition developed sometime between the Jin and Tang Dynasties, when paper became popularised as a writing medium. In many regards it is functionally similar to western signatures, and could be seen as a less formal alternative to using seals. It was a convenient way of marking documents for all sorts of people, and not restricted to the illiterate by any means.

In its earliest forms, the practice was essentially writing one's name in a slightly fancier way. Over time, people found increasingly creative ways to make their marks unique. By the Song Dynasty, some huāyā had become wholly unrelated to the signer's actual name. Others don't evenresemble real characters anymore.

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((a): huāyā of calligraphist Wang Xizhi 王羲之. (b): Emperor Huizhong of Song 趙佶. | (c): Emperor Sizhong of Ming 朱由檢.)

As a practical matter, keep in mind how writing had to be made historically. The traditional implement for proper writing in China, the ink brush, is actually very hard to use. Even if you know how your name should be written, an average farmer might not have the practiced dexterity necessary to actually draw the character legibly. Thus, for many people drawing such signatures with fingers would have been a logical and obvious improvisation.

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