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I've seen several images from illuminated manuscripts depicting odd-looking creatures with gloves showing two raised fingers on their tails:

enter image description here

What is the meaning if this device?

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    Please - source this image. – Vector Nov 15 '17 at 3:06
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    @Vector See my answer for source of this image. – justCal Nov 15 '17 at 4:49
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I can't speak to any of the other gloved animals, since you dont present them or link to them, but your figure is a part of a document referred to as the Maastricht Hours, and contains many figures which display both human and animal-like forms.

enter image description here

...and the opposite page:

enter image description here I wouldn't attach any special significance to a glove on the tail of a creature , at least in this particular document. If you look through the volume, which is fully digitized and can be accessed here, there are many other curious, nonsensical figures with assorted bits of clothing and human features juxtaposed on creature or animal bodies.

You can read an article here which discusses and shows some more of these illustrations.

My first impression was that this looked like a Monty Python doodle pad, and it is possible that, besides just filling the margins of the document, absurdist humor may have been the intent.

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    You mention Monty Python. Did you see this: collectorsweekly.com/articles/… "...few Monty Python fans realize that the comedy group’s silly animations are direct references to artwork in illuminated manuscripts..." – Lars Bosteen Nov 15 '17 at 13:49
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    @LarsBosteen Great find. I guess the connection wasn't just in my imagination. – justCal Nov 15 '17 at 13:55
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SHORT ANSWER

As with most such images in medieval manuscripts, it's hard to tell. The artist may not have intended any particular meaning, but I've listed some possibilities at the end of the long answer.

LONG ANSWER

There are many such strange illustrations in medieval manuscripts, especially in the margins (known as marginalia). In many (maybe most) cases we simply don't know what they mean, or even if they were supposed to mean anything at all. This from Collectors Weekly:

Though the meaning of specific images is still hotly debated, scholars conjecture that marginalia allowed artists to highlight important passages (or insert text that was accidentally left out), to poke fun at the religious establishment, or to make pop-culture references medieval readers could relate to. We’ll probably never understand all the symbolism used in marginalia..

This article in History Today shows how even at least some contemporaries were baffled:

Debate over the purpose of these illustrations has continued, seemingly from the very beginning of their use. In the 12th century, St Bernard of Clairvaux wrote, What profit is there in those ridiculous monsters, in that marvellous and deformed beauty, that beautiful deformity? To what purpose are those unclean apes, those fierce lions, those monstrous centaurs, those half-men…

Kaitlin Manning notes that, previously,

...scholars were completely uninterested and wrote it [marginalia] off as trivial or not meaning anything...It was only relatively recently, due to the work of scholars like Michael Camille and Lillian Randall, in particular, that marginalia became viewed as a genre worthy of study...

Frances Spiegel says,

Sometimes the images depict stories associated with the text, but not necessarily directly related to it. In a time when so many people could not read, the pictures helped them understand and remember the text. Sometimes the pictures give a fascinating glimpse into the history of the region and the lives of people who created the text. Just occasionally they are there simply to delight the eye.

Illustrations were sometimes a commentary on the text but without knowing what that text is, interpretation of the illustration in the question above is all but impossible (if any interpretation was intended in the first place). However, I'll stick my neck out and venture some possibilities..

It is possible that the artist is referring (for some reason not evident here) to a high-born woman who enjoyed falconry/hawking (if the glove is intended to be a gauntlet). Another possible interpretation is that the part woman, part bird image is some kind of take on a siren. Or it is possible the artist did it just for the amusement of himself and / or the reader as there seems to be a tongue-in-cheek element to this illustration. Or it is possible that two of the above may be equally true...and I'm sure others could come up with other interpretations too...

Concerning the two fingers, this may have been intended as a sign of benediction (thanks to T.E.D., rougon and bgwiehle for the comments / prompts). This is commonly found in paintings from the medieval period. The fingers are usually together but are sometimes slightly apart (as in the picture in the question) and sometimes crossed (as in several versions of Salvator Mundi).

coat of arms of Heiligenkreuz Abbey

Coat of arms of Heiligenkreuz Abbey. Source:http://www.newliturgicalmovement.org/2010/02/latin-gesture-of-benediction-history-in.html#.WgzuhY-Cy70

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    Agreed, it looks very deliberate but looking at en.wikipedia.org/wiki/V_sign and oxfordreference.com/view/10.1093/oi/authority.20110803120300620 there is no evidence of any meaning before the 20th century. The only thing one could reasonably speculate is the number two. – Lars Bosteen Nov 15 '17 at 13:18
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    I've included the full page image, if it helps you with any context. – justCal Nov 15 '17 at 13:40
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    @T.E.D. Not a peace symbol, but probably a hand raised in blessing. No idea of the significance in this context. – bgwiehle Nov 15 '17 at 15:22
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    @bgwiehle - Perhaps then it actually coincidentally had the same meaning when someone (like that animal figure) was moving that it does today: "Peace - out!" – T.E.D. Nov 15 '17 at 15:45
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    FWIW I just saw the news about the record price at auction of da Vinci's "Salvator Mundi" in which Jesus uses the same gesture. – bgwiehle Nov 16 '17 at 1:04

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