Are there, or have there been, any cultures in which women uncover and treat their own breasts in much the same way that some men treat their own beards (either with pride, or as a display of adulthood and/or attractiveness) - without discouragement from their society?

Many women in the U.S. proudly display their breasts, via deep cleavage.

But, there are two reasons they don't meet my criteria:

  1. In most places in the U.S., women have to cover their areolas and nipples, showing that their society still doesn't accept breasts.
  2. Much of their society views exposure, sometimes even without visible areola, as scandalous or inappropriate.

And I'm especially, but not only, curious if this was ever practiced in the context of a coming of age celebration.

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    In the case of art, the patrons/buyers and the sculptors/painters were almost always men living in male-dominated societies and cultures. Are you asking if women themselves regarded breasts as something to be celebrated? Commented Mar 30, 2019 at 18:17
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    Women were routinely depicted bare-breasted in Minoan frescoes from Crete etc. (e.g. The Ladies in Blue), but whether that was actually representative of the Minoan culture is something we cannot know. Commented Mar 30, 2019 at 18:37
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    Thank you for the edit; I think it is greatly improved. Re-open has to be proposed by a community member (I'm not eligible). If I may offer another bit of advice, documenting prior research can help (example, and perhaps clarity on the distinction between legal prohibition and social condemnation. More research almost always makes a question more precise. Might be interesting to compare Minoan and Egyptian examples, and to address climate issues. (e.g. the Inuit vs Mediterranian).
    – MCW
    Commented Mar 30, 2019 at 21:41
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    wouldn't pre-contact Polynesian culture pretty much fit this too? not so much the proud display as much as not hide: everyculture.com/wc/Mauritania-to-Nigeria/Polynesians.html Commented Mar 31, 2019 at 0:52
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    I've upvoted and voted to reopen as I think this is now a clearly phrased question which could attract informative answers. Commented Mar 31, 2019 at 5:21

4 Answers 4


Zambia - Kankanga Dance

This dance focuses very much on the breasts and is a coming of age celebration. It is practiced among the Ndembo, Northwestern Province. Scott D. Taylor in Culture and Customs of Zambia writes:

This was referred to in English as the "breast dance"...

This dance is described in some detail by the anthropologist Edith Turner in Zambia's Kankanga Dances: The Changing Life of Ritual (Performing Arts Journal, 1987). Referring to the girl being initiated, Turner gives an eyewitness account of the ritual, one stage of which proceeds as follows:

She learns willingly and well, without competition or dread of failure. The dance step is again complex, and every girl learns it perfectly, or did before the missions started to control the Ndembu. Her breasts are just beginning to show, and the dance focuses right upon them, for it consists of an extremely rapid shaking up and down of the naked teats...

Nigeria - Opha Ceremony

This is practiced by the Urhobo in Delta State. John Tokpabere Agberia, in Aesthetics and Rituals of the Opha Ceremony among the Urhobo People (Journal of Asian and African Studies, 2006) states:

The concept of Opha in Urhobo land is beauty....Physical attributes of a beautiful maiden include well-developed breasts that have to be balanced with an equally prominent hind side...

...The shaking of ring-anklets, the breasts at their prime and the buttocks with rings of coral beads, are conspicuous to the admiration of the spectators who wave and cheer them on.

(Hover below for somewhat NSFW Image)

enter image description here

"Opha Parading at Orughworun, 1972". Original source: Photograph by Susan C. Moore, reproduced by permission, in JAS Vol 41(3): 249–260 (2006) (PDF)

Nigeria - Iria Ritual

The Iria Ritual or Festival is still practiced annually by some tribes in Niger Delta of Nigeria. It dates back to the 16th century:

Breast-baring maidens are seen being initiated by the people into womanhood.

The article Iria Ritual; A Celebration of Feminism or Femininity? has more details:

Some of the groups that practice the ritual include the Iyankpo group, the Ijimkorobo group, the Alagbariye group from Ebeni, and the Saugeye group...

The girls involved in the ritual usually range from the age of 14 to 16 (girls that are preparing themselves for marriage.) In some places the ritual begins with the girls appearing bare breasted in front of the crowd for “inspection.” The purpose of appearing in front of the community like this is for the community to make sure that the girl’s virginity is intact. If the girl refuses to show her breasts or “fails” the inspection they experience public outcry and scorn. That is not a problem for most women being that most enjoy this ritual and see it as an honor.

(Hover below for somewhat NSFW Image)

enter image description here

Iria Festival, Okrika, Rivers State, Nigeria. Image source: momoafrica.com

This is only one stage of the ritual, though:

The next stage of the ritual begins immediately after the first. In this stage the girls enter “fattening rooms” where they are held for a month with rich local foods...

The purpose of the fattening rooms is to allow the girls to become plump and ready for marriage.

The time spent in the 'fattening room' can range from one week to 6 months as the ritual varies from tribe to tribe.



A ceremony in which everyone dresses up, very colourfully, but curiously without any special attention to covering up any part of the breasts.

Reed Dance ceremony, is an annual Swazi and Zulu event. In Eswatini, tens of thousands of unmarried and childless Swazi girls and women travel from the various chiefdoms to the Ludzidzini Royal Village to participate in the eight-day event. The young, unmarried girls were placed in female age-regiments; girls who had fallen pregnant outside wedlock had their families fined a cow.1 Umhlanga was created in the 1940s in Eswatini under the rule of Sobhuza II, and is an adaptation of the much older Umcwasho ceremony.

The reed dance videos were once classified as age-restricted content by Youtube, which angered the users who had uploaded them. This included Lazi Dlamini, the head of TV Yabantu, an online video production company that aims to produce content that “protects, preserves and restores African values”. Working with more than 200 cultural groupings across the country and in neighbouring Eswatini, Dlamini organised a series of protests against Google to force them to rethink their position. At last, YouTube apologized, and allowed the showing of bonafide African traditional videos , - Google says it has lifted the restriction on the videos that were age-restricted as it is not its policy to restrict nudity in such instances where it is culturally or traditionally appropriate.”

(Hover below for somewhat NSFW Image)

enter image description here

But this gets too broad too quickly, as the list of cultures that didn't wear clothes at all or still do not wear any clothes are quite varied and long.

Yanomami, Andaman, Pacific, Australian Aborigenes etc, usually didn't wear clothes, so breasts were always exposed. Try to remember why South Sea Islands were so 'attractive' for European gazers and what the crew of the Bounty did on Tahiti for example.

Many tribes in Africa, South America and some in Polynesia are majorly clothes-free societies; but even among those who do wear clothes, it is common for women to go topless.

Indigenous cultures
In some hunter-gatherer cultures in warm climates, public nudity (or near-complete nudity) has been, until the introduction of Western culture or Islam, or still is, the social norm for both men and women. Complete nudity among men and complete or near-complete nudity among women is still common for Mursi, Surma, Nuba, Karimojong, Kirdi, Dinka and sometimes Maasai people in Africa, as well as Matses, Yanomami, Suruwaha, Xingu, Matis and Galdu people in South America.

Equally, only missing from the Wikipedia list the Himba, Murle and Mule, Dinka, San, the … … …

But this just shows how prude this Western attitude is. It is just really strange, from a global perspective, as well as from a historical perspective. If temperature allows, topless was the norm.

It might be not that far off to assume that everywhere hot a Western colonial missionary went, he found naked people in dire need of civilisation. Also known as 'clothes'. To feel the same shame they now had to experience – never having had heard of the cardinal sin – by being forced a bite from the fruit of the tree of knowledge down their throat. Funny then who was the snake in that picture.

One missionary to the Xhosa people of Britain's Cape Colony reported that great mirth greeted his request that the people don clothes while they listened to a sermon. A firmer rejection of the civilising mission one can hardly imagine. In an essay on spectacle in Nigeria, Andrew Apter reproduces a hilarious photograph from a 1944 durbar, where a group of local men mocked both the formal ceremonials and Western views of Africans by painting their naked bodies white and appearing only in white penis sheaths and odd headgear before the colonial governor. Philippa Levine: "States of Undress: Nakedness and the Colonial Imagination", Victorian Studies, Vol. 50, No. 2, Papers and Responses from the Fifth Annual Conference of the North American Victorian Studies Association, Held Jointly with the Victorian Studies Association of Western Canada (Winter, 2008), pp. 189-219

Whatever their profession, whether religious or secular, whatever their cultural background and political differences, anybody, who was white, was a higher creature than the black. Missionaries were not exempted from these current sentiments. They became part and parcel of the missionary mentality and personality. They went to the mission fields with a corresponding aloofness. When they entered the mission fields, they exhibited the same superiority complex against the “dirty” and “naked savages”, as they saw them, in the field.
Mogola Kamiali: "Missionary Attitudes. A Subjective and Objective Analysis", Melanesian Journal of Theology 2-2 (1986).

My ancestors were naked peoples, and at some point in the history of humanity we were all naked, our beginnings inKaldowinyeriwere as naked as the law and the land.
There are no words that I have come across in our indigenous languages 2 to describe nakedness. Prior to the colonists' invasion of our territories there was no reflection of our nakedness. The reflection of nakedness came with the other, the clothed colonising peoples. Now there are few who physically walk the land naked. Those who remain undressed of the modern world, and its views of law, time and space, are the few who still walk naked in the law. Most of humanity however has now forgotten how to be naked in law.
The coloniser - the bringer of cloth to Australia - through the use of force, rape, and violence dragged us into their world of dress and the covering of the naked body. By forcing the ancestors to be other than who they were, the colonisers did not apply law; instead they imposed theft and tyranny upon the indigenous law, its lands and peoples. As we were forced out of nakedness we moved away from living raw in the law.
Irene Watson: "Naked Peoples: Rules and Regulations", Law Text Culture 1 (1998).

Looking at that colonisers own heritage reveals a detour that has taken place in the past:

Western Dance
enter image description here


That doesn't seem to be an artistic invention only:

Unlike the modern western world, women's clothing in Ancient Egypt tended to be more conservative than that of men. Throughout the Old, Middle and New Kingdom, the most frequently used costume for women was the simple sheath dress. A rectangular piece of cloth was folded once and sewn down the edge to make a tube. The dress would extend from a few inches above the ankles to either just above or just below the breasts.
enter image description here

Women's Clothing And Fashion In Ancient Egypt



In Europe from roughly 1550 to 1700, it was considered fashionable to bare breasts up to the nipple, a style called décolletage, which caused inadvertent but frequent "wardrobe malfunctions". This played off the double function of the breast in the 17th century: its task in feeding children was seen as sacred, but with the growing distaste for nudity, it was also beginning to be seen as titillating. See Anne Hollander, Seeing Through Clothes (Viking, 1978), pp.205-22; Margaret R. Miles, A Complex Delight: The Secularization of the Breast, 1350–1750 (U California Press, 2008), passim.

The display of nipples was therefore a sort of edge case for décolleté. If they were "accidentally" exposed, this was fine. Displaying nipples on purpose was a marker of low class but was at least fit for portrayal in art. Here are two notable examples.

This noblewoman dressed as an actress, painted by Bartholomeus van der Helst in 1660, imitates how actresses commonly displayed their nipples.

Anna du Pire as Granida 1660

Photo taken from the blog The bared bosom in 17th and 18th century art. This may not be example of socially approved "proud display" since actresses were considered socially equivalent to prostitutes at the time, but it is at least an acceptable subject for painting.

Below, a broadside from 1689 is meant to welcome Queen Mary to England and display her nurturing and motherly aspects to the general public. The woodprint perhaps shows an extreme interest in décolleté fashion, and may be taken from another broadside comparing Mary to a prostitute, but is not intended to titillate. See Angela McShane, "Revealing Mary". History Today vol. 54, March 2004.

The Princess Welcome to England

In the 18th century women began to cover up more frequently, but exposed breasts saw a revival after the French Revolution, and this time with less of a concern for nipples. High society women imitated classical busts by baring their breasts at parties, including most of the French parties attended by Benjamin Franklin and other early Americans. Breasts were considered much more arousing in this period, and a feminist analysis argues that this may have intended to reinforce norms of sexual submission at a time when all hierarchies seemed dangerously unstable; details may be found in Barbara Charlesworth Gelpi's article "Significant exposure: The turn‐of‐the‐century breast," Nineteenth-Century Contexts, vol. 20 (1997).


From 1650 until Japanese occupation, Korean women wore a shirt called jeogori that purposefully exposed the breasts. You can see some photos at this blog post. An academic article quoted there explains the reasoning behind this public display:

Women belonging to these classes exhibited a unique fashion style after giving birth which basically consisted of them exposing their breasts, a practice which appears to have been limited to women from the commoner and lowborn classes. Although it is unclear when such a practice began to take root, it appears to have been closely linked with the emergence of the preference for sons. This practice of bearing one’s breasts after giving birth to a son and proudly breastfeeding the child in public, over time, became firmly entrenched within the culture of these classes.

Quoting from Han Hee-Sook, "Women’s Life during the Chosŏn Dynasty", International Journal of Korean History 6, 2004.

Discussion of this subject is currently taboo in Korea because photos of Korean women with exposed breasts were used by Japanese to justify their colonial enterprise.


Yes. They are proudly displayed in Minoan culture, as we see from their art, for example,

frescoes and statues.

  • That's great! Any chance you could add a citation(s) to historical data?
    – icor103
    Commented Mar 30, 2019 at 20:27
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    They're certainly proudly displayed in Minoan art, but whether that translates to Minoan culture is another question. I'd also suggest that if you want to link to images of Minoan snake goddess figurines, you might do better with the ones on the Wikipedia page than modern reproductions on Amazon. Commented Mar 30, 2019 at 20:59
  • @sempaiscuba: This is a good point. Many Greek and Western European statues and pictures show naked men and women, but this does not mean that the Greeks or Western Europeans went around naked. There is no way to know exactly, but these Minoan images make an impression that this kind of women dressing was a norm.
    – Alex
    Commented Mar 31, 2019 at 3:23
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    Possibly. Or it could just as easily be a depiction of 'deities or ritual personages'. Commented Mar 31, 2019 at 3:36

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